Description
While there are a great many books on the Hollywood star system and its costuming, and a number of books on queer cinema, the role of lesbian dress styles in constructing lesbian characters has yet to be the subject of a discrete, detailed book study.
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examines how dress constructs lesbian characters as a form of representation and visual communication in film. By focusing on a set of independent and studio films that highlight lesbian dress practices, from Leontine Segan*s
(1931) and other lesbian classics such as Donna Dietch*s
(1985) to the Wachowski sisters
(1996) and Rose Glass*
(2024), this book unpacks the role of sartorial codes in producing narratives of lesbian subjectivities, representation and desire.






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