Description
Argues for and models a way of reconciling Marxist politics with identity politics, instead of privileging one over the other
Offers the first sustained investigation of Irish drama*s engagement with left culture in Europe and North America
Offers fresh readings of canonical plays by major authors while elaborating a new and generative argument about Ireland*s contribution to modern drama and literary modernism
Uses hard-to-find archival sources to recover and reinterpret crucial but forgotten and/or misunderstood moments in theater history and in the history of the cultural left
Brings Marxist and feminist/queer theoretical concerns together to produce a nuanced and revealing account of the interaction between sexual and social politics in the first half of the twentieth century

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