Description
Looks at how photographer Alfred Stieglitz and the critics drew on early twentieth-century discourses on sex and the psyche, particularly theories of Sigmund Freud and Havelock Ellis, to characterize the artwork in Stieglitz’s circle.
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Looks at how photographer Alfred Stieglitz and the critics drew on early twentieth-century discourses on sex and the psyche, particularly theories of Sigmund Freud and Havelock Ellis, to characterize the artwork in Stieglitz’s circle.
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