Medieval Art : Painting, Sculpture, Architecture 4th Through 14th Century

Description

“[Katzman＊s photographs] are as striking and powerful as anything brought back from a Vodoun ceremony in Haiti, or a primitivist church in Sicily. Yet they make no pretense of the documentarian＊s ethnological distance; they＊re snapped right there in the midst of the action〞in the center of the mosh pit, let＊s say〞and convey a raw, uncensored passion clearly indicating that the photographer himself has felt something of the experience that has swept these people up.§
〞
Responding with intrigue to a newspaper ad that pleaded, ※Come to the Miracle Tent. Come witness the blind see, the crippled walk, the deaf hear,§ photographer Steven Katzman, raised a conservative Jew, began photographing Christian revivals around his hometown of Sarasota, Florida. Katzman was then invited to visit the revival center of Christian America〞the Brownsville Assembly of God, in Pensacola. There, Katzman found a pious evangelical community where God＊s presence is constantly witnessed in the immeasurable force of the congregation＊s expressions of religious ecstasy: the laying of hands, the screams and tears of joy and anguish and love as men and women are purged of suffering and sin. The congregation would rise to the point of collapse, lamenting and praying for those less fortunate in the world, being healed by the ever-present love of the faithful and the Lord. As Katzman peered through the lens of his camera, he also heard the desperate calls of the preacher: ※Faith has no religion. Do I hear an Amen?§ Katzman found what no one had expected〞his faith.
With sumptuous black-and-white photographs that recall the religious fervor of El Greco and the anguish of Francis Bacon,
takes us inside evangelical meetings across the world and bears witness to the driving emotional faith of Christian revival, where emotion and love pours from the eyes and mouths of the faithful, praying and thanking the Lord.