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Neo-Impressionism and Anarchism in Fin-de-Si豕cle France: Painting, Politics and Landscape

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Description

uncoversthe story of the women inFrance who, from the 1920s to the 1970s, played critical roles in the production of global cinema’s history: asarchivists
charged with collecting films and other materials, aswitnesses
tasked with remembering their own film careers, and asactivists
committed to recovering women’s contributions to film history. Reflecting on how gender politics informs the production of film history, Aurore Spiersrecasts the film archive as a site of women’s intervention, modeling strategies for inclusivity, recuperation, and liberation within feminist film historiography.

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