Private Collectors of Islamic Art in Late Nineteenth-Century London: The Persian Ideal (The Histories of Material Culture and Collecting, 1700-1950)

Description

presents a comprehensive study of historical and contemporary examples of scenographic costume 每 the type of costume that creates an almost complete stage environment by itself, simultaneously acting as costume, set and performance.
This book provides readers with an overview of the costumes, designers, context and theory that have contributed to the emerging field of ＆costume as performance＊. Focusing on artists and their creative approach to space, form, materials and movement, the book looks at iconic figures such as Lo?e Fuller, Oskar Schlemmer and Leigh Bowery, amongst contemporary examples of practitioners that are blurring disciplinary boundaries between fashion, dance, performance and theatre. The book includes chapters by Dr Sofia Pantouvaki, who focuses on performance costume as a means of research; Christina Lindgren, who presents the findings of the four-year
project at Oslo National Academy of the Arts in Norway; Charlotte ?stergaard, who discusses the implications of ‘Listening with costume’ and Felix Choong, writing on ‘Contemporary Runways, Contemporary Costumes’. The final part of the volume, ‘The Practitioners＊ Voice’, examines current practice through interviews and contributions from key practitioners with an afterword by Dr Rachel Hann.
will appeal to professional costume designers, performance artists, dancers, directors, choreographers, fashion designers and theorists, teachers and students of these subjects. With its interdisciplinary focus and unique and dynamic content, this publication is relevant to a range of art, design and performance courses.