Refabricating Architecture: How Manufacturing Methodologies are Poised to Transform Building Construction

Description

A new reality for the art object has emerged in the world of contemporary art: it is now experienced less as an autonomous, inanimate form and more as an active material agent. In this book, Kaira M. Caba?as describes how such a shift in conceptions of art＊s materiality came to occur, exploring key artistic practices in Venezuela, Brazil, and Western Europe from the mid-twentieth century to the present.
expands the discourse of new materialisms by charting how artists, ranging from Gego to Laura Lima, distance themselves from dualisms such as mind-matter, culture-nature, human-nonhuman, and even Western每non-Western in order to impact our understanding of what is animate. Tracing migrations of people, objects, and ideas between South America and Europe, Caba?as historicizes changing perceptions about art＊s agency while prompting readers to remain attentive to the ethical dimensions of materiality and of social difference and lived experience.