Short Film Distribution Film Festivals, the Internet, and Self-Promotion (Digital Filmmaker Series)

Description

Monumental pictures and their social reality in Rome around 1300 are the focus of this study. The frescoes and mosaics under examination belong to the hitherto neglected fa?ades and porticoes of important basilicas. Many of them – now lost or fragmented – described their cult repertory. They propagated ideas of their commissioners and mirrored the reality of the beholder, in terms of a new
or
. Their visual arguments were targeted towards the Romans, and, more importantly, towards the pilgrims who visited the eternal city to seek remission for their sins. The function of these pictorial media to transmit new and unconventional contents, phrased as a new
, was increasingly devoted to the needs and expectations of a profoundly changed lay public. This process – although it coincided with the activity of Giotto – had its own distinctly Roman history.