Sounds as They Are: The unwritten music in classical recordings (Oxford Studies in Music Theory)

Description

An introduction to room acoustics and acoustical design
Reflecting, absorbing, and diffusing materials
Room geometry, modes, and treatment
Acoustic isolation, site selection, and HVAC design
Wall, floor, and ceiling construction
Window and door design considerations
Reverberation times, early reflections, and psychoacoustics
Objective and subjective room evaluation
Plans and specifications for 10 recording and listening rooms