The Concept of the ‘Master’ in Art Education in Britain and Ireland, 1770 to the Present

Description

is a collection of in-depth interviews and panoramic essays that models a generalist approach to modern audiovisual media, prioritizing remarkable cinematic accomplishments that can get lost within our overwhelming modern mediascape.
The 18 interviewees featured in this publication include Oscar-winning documentarians Daniel Lindsay and TJ Martin; Dean Fleischer Camp, whose Marcel the Shell with Shoes On was an internet smash, then an Oscar nominee; canonical filmmakers Guy Maddin and Su Friedrich, still building on remarkable careers; renowned poet (and cineaste) John Ashbery; Irish independent Tadhg O’Sullivan who is entranced by the moon; indefatigable cine-historian, Paul Cronin; LA artist Jennifer West, who collaborated with 11,500 visitors on New York City’s High Line to produce a new kind of City Symphony; Penny Lane, whose documentary films continually surprise; a collaborative filmmaking team who provide an immersive motion study of a crowd taking selfies with the Mona Lisa; cine-explorers Lucien Castaing-Taylor and V谷r谷na Paravel; master of the cine-archive Bill Morrison; cine-scientist Erin Espelie; video-essayist Chlo谷 Galibert-La?n谷; and the Alloy Orchestra, who entertained silent-film audiences for three decades.
combines engaging conversations with accomplished filmmakers and essayistic explorations of recent contributions to modern media-making by filmmakers creating a tradition of “cine-nocturnes,” and by filmmakers exploring archival representations of World War 1. The book offers a reading adventure dedicated to opening the door to exciting new kinds of film experience.