Description
Presents a historiography of global art histories in academic, museological, and exhibition projects
Written by a collection of authors from different linguistic, cultural, geographic, generational, and disciplinary perspectives
Aids students in understanding “global art history” and the discipline beyond the founding Western canons
Provides a set of case studies to bring to life methodologies being employed in the field
Features contributors from the program of the Getty Foundation and the College Art Association International Committee’s project
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