Description
is the first comprehensive guide to teaching, studying, and researching K-pop dance in global contexts.
Through ethnographic fieldwork with fifty K-pop dance professionals, idols, agency CEOs, and choreographers across the US and Korea, this book offers an inside view of K-pop dance pedagogy. Integrating dance and performance studies, media studies, and cultural studies, it establishes a foundational K-pop dance studies framework and introduces research methods theorizing its cultural, aesthetic, and industrial specificities. Addressing issues of authenticity, training, and postcolonialism, it shows how Korea*s rigorous idol-training model becomes a creative fan practice in the US and how it overshadows local teachers* labor under Western choreographers.
Positioned to meet growing academic and public demand, this book provides adaptable teaching strategies for universities, arts high schools, community studios, and children*s and continuing education programs and serves as an essential resource for Korean pop culture, global performing arts, tourism, and study abroad courses.






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